- Singha wrote:
- Wat vond je dan van Inglourious Basterds ?? Toch weer heel wat anders dan Tarantino's eerdere werk.
Niet gezien. Maar is ook weer geen idee van hem zelf.
Verwijzingen in die film:
Les vampires (1915)
- Posters of the Les Vampires serial are hanging in the office where Landa confronts Bridget von Hammersmark
The Kid (1921)
- 'The Kid' and its famous chase climax is mentioned by Zoller.
Bronenosets Potyomkin (1925)
- During the movie about Fredrick Zoller at the end of the film, a quick shot shows a soldier being shot in the eye and screaming, referencing the old woman also shot in the eye during the famous montage massacre in Sergei Eisenstein's Battleship Potemkin (Bronenosets Potyomkin).
Metropolis (1927)
- The celluloid image of Shosanna laughing while burning mirrors the Evil Maria in the bonfire in Fritz Lang's classic -- ironically, one of Hitler's favorite movies
Die weiße Hölle vom Piz Palü (1929)
- The White Hell of Pitz Palu is prominently featured in one scene and later discussed at length by two characters.
Mata Hari (1931)
- Title is mentioned in La Louisiane; one of the bar patrons does a joking impression of Mata Hari.
King Kong (1933)
- 'King Kong' is one of the card names in the La Louisiane guessing game.
Queen Christina (1933)
- Title is mentioned in La Louisiane.
Triumph des Willens (1935)
- Shosanna is putting up the outdoor sign when Frederick Zoller takes an interest in her cinema, and their dialogue is 'a battle of wills'.
Glückskinder (1936)
- "Ich wollt' ich wär ein Huhn" from 'Lucky Kids' is heard in 'Basterds'.
Cinderella (1937)
- In the end scene in Shosanna's cinema, a poster for the film is seen - recalling the legend that has been replayed in a tragic manner in the present film.
The Wizard of Oz (1939)
- at the end when Shosanna is seen on the screen and the flames appear. Oz's giant face is also, as it happens, a projected image, a creation of smoke and mirrors.
Der ewige Jude (1940)
- When Hans Landa mentions Goebbels' propaganda that "compares the Jew to the common rat" it is a reference to this film.
Sergeant York (1941)
- Fredrick Zoller says he is called the German "Sergeant York" (and his war exploits are also turned into a film portraying him as a hero).
International Lady (1941)
- Bridget is shown wearing an outfit identical to the one worn by Ilona Massey in 'International Lady'.
Die große Liebe (1942)
- "Davon geht die Welt nicht unter" from 'The Great Love' is heard in 'Basterds'.
L'assassin habite... au 21 (1942)
- Poster in Shoshanna's cinema
Domino (1943)
- Poster in Shoshanna's cinema
Hi Diddle Diddle (1943)
- A French version of "The Man with the Big Sombrero" from Hi Diddle Diddle plays during the La Louisiane sequence.
Le corbeau (1943)
- Shosanna is replacing Henri-Georges Clouzot's film, actually banned by the Nazi invaders in June 1944, with Leni Riefensthal's La fierté de la nation, the French version title of Triumph des Willens (1935), a Goebbel's controlled film.
Un chapeau de paille d'Italie (1944)
- Marcel passes in front of a large wall poster for Fernandel's comedy, when he is going to ignite the entire film stock.
The Private Affairs of Bel Ami (1947)
- The design of the circular big picture window in Shosanna's cinema is taken from this film.
Tiefland (1954)
- 'Tiefland' is mentioned as the only German film production not under Goebbels' control.
The Searchers (1956)
- The shot of Shossana running from Landa at the beginning is framed through a doorway in an homage to a scene in the earlier film.
The Alamo (1960)
- The "Green Leaves of Summer" theme from 'The Alamo' is heard in 'Basterds'.
The Great Escape (1963)
- General Ed Fenech says "We have all our rotten eggs in one basket"...similiar to a line spoken by Kommandant von Luger in The Great Escape: "We have in effect put all our rotten eggs in one basket."
Paris - When It Sizzles (1964)
- Title is mentioned.
Un dollaro bucato (1965)
- The theme from 'One Silver Dollar' is heard in 'Basterds'.
Il ritorno di Ringo (1965)
- "L'incontro Con La Figlia" from 'The Return of Ringo' is heard in 'Basterds'.
La battaglia di Algeri (1966)
- "Algiers, November 1954" from 'The Battle of Algiers' is heard in 'Basterds'.
La resa dei conti (1966)
- "The Verdict" and "The Surrender (La resa)" from 'The Big Gundown' are heard in 'Basterds'.
Devil's Angels (1967)
- "The Devil's Rumble" from 'Devil's Angels' is heard in 'Basterds'.
The Dirty Dozen (1967)
- The introductory speech made by Lt. Aldo Raine is done in the same fashion as that made by Major Reisman.
Da uomo a uomo (1967)
- "Mystic and Severe" from 'Death Rides a Horse' is heard in 'Basterds'.
Al di là della legge (1968)
- Score from 'Beyond the Law' can be heard in 'Basterds'.
The Mercenaries (1968)
- Three music cues from 'Dark of the Sun' can be heard in 'Basterds'.
The Devil's Brigade (1968)
- The Branch of Service Insignia Brad Pitt wears while in uniform assembling the Basterds is the same as the Special Forces unit in "The Devil's Brigade".
Il mercenario (1968)
- "Il Mercenario (Reprisa)" from 'A Professional Gun' is heard in 'Basterds'.
C'era una volta il West (1968)
- The open scene is an homage to Sergio Leone's "Once Upon a Time in the West", hence the chapter's title, "Once Upon a Time in Nazi Occupied France".
The Wild Bunch (1969)
- the flashback of Hugo Stiglitz being whipped
Rosolino Paternò, soldato... (1970)
- Allied officer in disguise used three finger in the Anglo-Saxon way (index. medium, ring fingers) instead of thumb, index, medium as Europeans do.
Kelly's Heroes (1970)
- "Tiger Tank" from 'Kelly's Heroes' is heard in 'Basterds'.
Slaughter (1972)
- The use of Billy Preston's theme in the opening of "Inglorious Basterds."
The Life and Times of Judge Roy Bean (1972)
- Lt. Raine's mysterious neck scar, ostensibly from surviving an attempted lynching, is a reference to 'Judge Roy Bean'.
White Lightning (1973)
- Two music cues from 'White Lightning' is heard in 'Basterds'.
Revolver (1973)
- "Un amico" from 'Revolver' is heard in 'Basterds'.
Allonsanfàn (1974)
- Score from 'Allonsanfàn' can be heard in 'Basterds'.
Quel maledetto treno blindato (1978)
- title of 2009 movie is a take off on the English title of the 1978 movie ("Inglorious Bastards")
Zulu Dawn (1979)
- "Zulus" from 'Zulu Dawn' is heard in 'Basterds'.
The Entity (1981)
- "Bath Attack" from 'The Entity' is heard in 'Basterds'.
Die Sehnsucht der Veronika Voss (1982)
- Shosanna Dreyfus is dressed up during the final theater scene to resemble Veronika Voss from the Fassbinder film.
Cat People (1982)
- David Bowie's theme from 'Cat People' is heard in 'Basterds'.
Scarface (1983)
- When Donny Donowitz is gunning down German's with an MP40 at the end of the film his facial expression and body position in the shot reflects that of Tony Montana's at the finale of Scarface.
The Breakfast Club (1985)
- Donny's line "Two hits. I hit you, you hit the ground!" is taken from a heated exchange between Judd Nelson's and Emilio Estevez's characters.
Dung fong tuk ying (1987)
- Music can be heard from 'Eastern Condors' in the shoot out finale
Hamburger Hill (1987)
- Sgt. Donowitz pumps bullets from a machine gun into a corpse, exploding the head, as is done by the M-60 wielding soldier in the earlier film.
Fight Club (1999)
- Brad Pitt's character states "You know, fightin' in a basement offers a lot of difficulties. Number one being, you're fightin' in a basement! "
Death Proof (2007)
- The scream sound effect used as a body is flung out the window when the cinema explodes at the end of the film is taken from Kurt Russell's scream at the end of Quentin Tarantino's previous film, Death Proof (2007).
Keinohrhasen (2007)
- In the bar sequence, the new father is asked about the name his son is going to have. Til Schweiger (Stiglitz) responds to the announcement with "Maximilian. Das ist aber ein hübscher Name." ("Maximilian. That's a very pretty name."). Schweiger has the same exact line in 'Keinohrhasen'.
En het is niet dat ik die grindhouse/exploitatie revival niet kan waarderen hoor.
The Devil's Rejects bijvoorbeeld is een goed voorbeeld van hoe je zoiets wel goed moet doen (al is die clown iets te over the top).